With sufficient
motivation the character wants something with relationship interaction. How the protagonist perceives and reacts in
scene situations overall, is the theme relating to the plot. Include a leading protagonist near the first
paragraph of each scene. In most
fiction, point of view is kept to one POV per scene, each scene has
tension. The POV is who the action is
viewed through, and not knowing other characters thoughts will not express them accidentally. Keep the few points of view
consistent as the story progresses, to engage the reader.
Relevant dialogue
shows the character and uncovers information.
Show what your characters experience in setting, action and dialogue
rather than telling in narrative.
Narrative can be effective showing the character with description before
a confrontation. Dialogue moves the
story faster, if important description of focus is added it slows the
momentum. Read your story out loud to
hear what is natural. Know your
characters back story weaving a small amount with action. If back story is used the reader should care
about the characters current situation.
Decide the essential past before the novel began, leading up to why the
character is sufficiently motivated.
Introduce the
character with a few descriptive lines; then following less detail in dialogue,
action or inner thoughts. Action and
reaction moves the plot or characters in the most interesting way. Action and inner conflict can show character
emotions, some back story may be used.
From action to dialogue add enough plot related setting. With descriptive emotional thoughts of a
scene about to take place, the scene is set for action. Reveal specific information to keep up the
pace into confrontations and how they are resolved.
Conflict is added that
is relevant to the plot and between characters, to increase the stakes. Emotion and suspense reveals characters
moving their stories forward in the plot.
Characters have differences one from another. Use voice dialogue and behavior rather than
narrative summary to reveal character.
Inner thoughts can give the reader views into desire, fear, motivation
and challenges. Characters are developed
with their personal perspective and why they do things.
Involve your
protagonist in the plot undergoing tension, energy and momentum. Your protagonist is the one who engages
through the emotional arc in the plot.
Compel your protagonist to reconsider or change through story
events. A protagonist may remain
essentially the same, but grows or learns from actions or events in the
story. Readers should always know what
the character wants. A story ending
expresses how the protagonist has changed or overcome.
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