Identify
what your characters want, their motivation and emotional change in the story. Characters come to life from a guide chart, on
their past and individuality for consistent story flow. Fit the characters fears, drives and goals to
the difficulty or obstacle in their path.
Does the character perceive things the way everyone in general might? What affects the character for change? How does the character change? What triggers the driven character and to what
form of action? Would the character be
asked, “Is that you?” “Is that really
you?” What makes the character
interesting in the description? With a
clear objective and growth the character solves the problem that readers may
share in. Character driven focuses on
growth by showing internal change and its influences, to develop the plot and
story. Show unique actions a dramatic character
takes to overcome problems, danger on a path to attain the goal. Place inner tension conflict to develop
layering situations that raise the stakes to take action. Scenes for your story are created by actions
dealing with encounters, event or problem consequences. A story ending has emphases on maximum unpredictable
stakes. Conflict has been resolved at
the story ending.
Character
driven novels:
M.
L. Stedman’ The Light Between Oceans, 1926. Tom Sherbourne is a young
lighthouse keeper on a remote island off Western Australia. The only
inhabitants of Janus Rock, he and his wife Isabel live a quiet life, cocooned
from the rest of the world. Then one
April morning a boat washes ashore carrying a dead man and a crying infant -
and the path of the couple's lives hits an unthinkable crossroads. Only years later do they discover the
devastating consequences of the decision they made that day - as the baby's
real story unfolds ...
Patrick
Rothfuss’ The
Name Of The Wind, so begins the tale of Kvothe—from his childhood in a troupe
of traveling players, to years spent as a near-feral orphan in a crime-riddled
city, to his daringly brazen yet successful bid to enter a difficult and
dangerous school of magic. In these pages you will come to know Kvothe as a
notorious magician, an accomplished thief, a masterful musician, and an
infamous assassin. But The Name of the Wind is so much more—for the story it
tells reveals the truth behind Kvothe's legend.
Colum
McCann’ TransAtlantic, these three iconic crossings are connected by a series
of remarkable women whose personal stories are caught up in the swells of
history. Beginning with Irish housemaid Lily Duggan, who crosses paths with
Frederick Douglass, the novel follows her daughter and granddaughter, Emily and
Lottie, and culminates in the present-day story of Hannah Carson, in whom all
the hopes and failures of previous generations live on. From the loughs of
Ireland to the flatlands of Missouri and the windswept coast of Newfoundland,
their journeys mirror the progress and shape of history. They each learn that
even the most unassuming moments of grace have a way of rippling through time,
space and memory.
Charlotte
Brontë’ Jane Eyre, one of the greatest and most perennially popular works of
English fiction. Although the poor but plucky heroine is outwardly of plain
appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh
employer and a rigid social order. All of which circumscribe her life and
position when she becomes governess to the daughter of the mysterious, sardonic
and attractive Mr. Rochester. However, there is great kindness and warmth in
this epic love story, which is set against the magnificent backdrop of the
Yorkshire moors.
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